Every traveler eventually encounters a
bend in the path—an unexpected turn that alters the course ahead. The Book
of Four Journeys by Veronica del Valle focuses on these pivotal shifts,
following four characters as their journeys extend beyond what they imagined.
Each story emerges from the moment a new horizon comes into view.
The Book of Four Journeys introduces four separate tales linked by the idea that every adventure
changes the one who undertakes it. The stories center on Alfalfa Spooly, Mumik
and Pimnik, Neboo McCloudy, and Lincoln Jax—each encountering a path that leads
into uncertainty, risk, and discovery.
Alfalfa Spooly, a dedicated postman,
takes on a mission that requires him to step across the threshold into the
unknown, forcing him to face challenges far beyond the routines he knows.
Siblings Mumik and Pimnik begin in different places but move through unfamiliar
territories as they search for one another, uncovering new dangers and
surprises along the way. Neboo McCloudy, a grumpy but determined creature,
confronts his greatest fears as he seeks a secret treasure connected to a world
beyond what he understands. And Lincoln Jax, an orphan girl driven by longing
and curiosity, travels toward a hidden kingdom that may hold the answers she
has been seeking.
Across these four stories, Veronica del
Valle weaves adventures that blend peculiar characters, unpredictability, and
the quiet courage required to face the unknown.
Veronica del Valle is the author of The
Word-Keeper and The Book of Four Journeys. She holds an MA in
Creative Writing from Kingston University and has worked as an editor and
writer for news organizations and magazines in both London and Argentina. She
has also taught creative writing at Universidad de San Andrés. Now based in
Buenos Aires, she continues to write stories shaped by her love of language,
imagination, and adventure. Learn more at her website
and on Instagram.
Amazon: https://bit.ly/47XykFd
Goodreads: https://www.goodreads.com/book/show/58025684-the-book-of-four-journeys
What My Daughter Taught Me About
Writing
Children, I’ve learned, are the
sharpest editors: curious, unsparing, and attuned to truth in ways adults often
forget. One such child is my nine-year-old daughter, Tomiko. Wild-hearted and
keenly observant, she’s taught me as much—perhaps more—about writing for
children than any book or editor ever could.
If I had to distill the things I’ve
learnt from her, it would take the shape of six essential reminders:
1. Children have an extraordinary
radar for plot holes. If something doesn’t make sense, they’ll find it
instantly, and let you know. They spot every inconsistency, every lazy
sentence, every moment when the writer is no longer fully awake.
2. Logic matters as much as magic.
If an imp appears, it must have a reason to be there. If a door opens into
another world, it must do so with purpose.
3. Stories must earn attention.
Adults might politely finish a chapter. Children will simply walk away.
4. Rhythm is key. Not just in
language, but in the movement of the tale. A story must breathe, shift, and
hold wonder.
5. Children don’t read to admire
your prose; they read to believe.
6. Stories must find their way not
only through the narrative, but into the reader. They must stir something real.
The wilder the tale, the truer the emotion must be.
Over time, I’ve come to understand
two things:
One: children don’t ask for
perfection. They ask to be met with awe, coherence, and heart. And two: the
best children’s stories are written for children, but they’re also
written from the part of us that still remembers what it felt like to be
one.


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