INTRODUCTION

Hi everyone My name is Victoria Zumbrum, 40 years old, married 14 years with 1 son. This is my very first blog. So bear with me. I have always wanted to have my own blog. I have always loved to read. I enjoy getting lost in a good book.
I love becoming part of the story and characters. I am hoping to bring my love of books to my readers.

I love reading different genres such as paranormal, young adult, romance, romantic suspense, mystery, Christian fiction, some horror, etc. The list goes on. I started reviewing books a couple of years ago and have done reviews for different blogs and even some authors. I really have enjoyed reviewing books and I will continue to do so. If anyone is interested in me reviewing a book for them, please contact me. I still have a lot to learn regarding my own blog so bear with me. I welcome and appreciate all followers.

Tuesday, April 21, 2026

Ursula Sinclair Choose Me Release Tour and Giveaway

 


I’ve always run away from labels. 

Now there’s one I cannot run away from.

Father.


Choose Me

The Ballerina Series Book 4

by Ursula Sinclair

Genre: Contemporary New Adult Romantic Suspense



I refused to be placed in anyone's box.

Vin
I’ve always been the best friend, the one nightstand, the groomsmen never the groom. Then I go and become that ‘F’ word. Yeah, I become a Father before I am even part of a couple. I’ve never been one to live a normal life. Whatever that is. It’s never been for me. But then a woman and my child change everything. They become everything. I will become whatever they need. Because that will be who I am.

Samantha
My husband and I always wanted a child, but it was not meant to be. Until one day, one came into our lives, and she became my everything. But the man that should have protected us didn’t, he betrayed us. Exposed us to men who threatened the safety of my child and me. Then someone came into our lives amidst the chaos, but who was he there to save, me or his child?

 

**NEW RELEASE!**

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Future

Vin

 

“Vin!”

“What!” Something about the way she said my name had me blinking and trying to focus my sleep fogged mind. A shudder traveled through my body. What the hell time is it? The connections in my brain were still a bit fuzzy, but I recognized the pitch of that voice. I’d heard it enough times. Something was wrong.

“Christie?” I spoke into my phone.

“I’m at the hospital, Vin. The baby…” Terror laced her tone.

“What? Isn’t it too early?” I questioned. Christie wasn’t quite eight months pregnant, since that was the last time we’d hooked up. “Is something wrong?”

“You’ve got to come now!”  Fear rippled in her voice.

I’d never heard her sound like this before. My heart pressed against my chest. “Okay, okay on my way.”

I glanced at the time on my phone. Since my head hit the pillow, I’d gotten less than three hours of sleep. Rolling out of bed, I downed some aspirin I kept on the nightstand. Staggering to the bathroom, I washed my face with cold water. It helped a little. My eyesight was no longer quite so blurry. When I glanced at the mirror, I could at least make out my blood shot eyes from too little sleep. But my mind was clear.

Quickly, I tossed on some clean clothes then caught a taxi to the hospital, Christie had scheduled her delivery in. I hoped like hell she would be there. This woman prepared for everything.

Except for an unplanned pregnancy.

I pulled out my phone to shoot a group text to my best friends, Maze and Dante. To let them know Christie was in the hospital and to meet me there but stopped myself before pressing send. First, it was three fucking o’clock in the morning and secondly, I had no idea what the hell was going on, other than I could hear the panic in Christie’s voice. I’d wait until I knew more.

At this hour, it only took about fifteen minutes for me to get to the hospital in midtown. Still, by the time I got there—it was the right hospital—they’d already taken Christie into surgery. I wasn’t family, just the father of the child we’d both agreed to put up for a private adoption. Which meant no one would tell me anything, other than to have a seat and wait for the doctor. Or the lawyer, for the couple adopting the baby. But I wasn’t sure if the hospital or Christie had notified the lawyer, or the couple, and I wasn’t going to remind anyone. At this point, I also didn’t give a rat’s ass. Christie might have been a one or two night hook up, but I still cared about her and the baby we created.

“Mr. Tinsdale?” A pretty young woman in plain purple colored scrubs stood in front of me.

I stood up. “Yes, that’s me. How’s Christie and the baby?”

“Christie signed a form before they took her in, allowing us to talk to you as the biological father of the baby. The baby is in distress, the doctor is performing an emergency C-section, as soon as he knows more, he’ll come out to speak to you.”

“Thank you.” Even if her words did little to relieve my anxiety. I plopped my ass back down onto the seat. It wasn’t until the nurse disappeared through the double doors, I questioned what she’d said. Or rather the way she said it, know more about what? Shouldn’t it only be to tell me if it was a boy or a girl? Oh, God! Did distress mean the baby might die? Was Christie going to be, okay?

I ran my fingers through my shorthair as these thoughts played table tennis in my mind. I’d made a bit of an ass of myself earlier at the nurses’ station, demanding someone come out to tell me something. All I could do now was sit and wait for the doctor.

I sat there alone, my hands rested on my knees, head down, eyes staring at the floor, seeing nothing but my f’ing life rolling away from me. Tied to someone I didn’t even like—for life. One who would be the mother of my child. All because some shitty piece of latex malfunctioned. Fuck of a malfunction. Still, I prayed to a supreme being or beings somewhere out there that Christie and the baby would be okay. Even if I’d agreed to the adoption, the thought of my child dying sent fear zinging through me.

I took a deep breath. Single mother, single father, nothing single about it. Not when an innocent life was involved. A life who apparently wanted to make an early appearance. Way early. A preemie. My child would be a preemie. Labels—fucking labels. All my life I’d dealt with them. But I refused to be placed in anyone’s box.




Don’t miss the rest of The Ballerina series!

Find them on Amazon



Ursula Sinclair is a USA Today Bestselling Author and the alter ego for LaVerne Thompson, a USA Today Bestselling, award winning, multi-published author. An avid reader and a writer of fantasy, paranormal, contemporary, and sci/fi sensual romances. She loves creating worlds within and without our world. She enjoys good action scenes. Most of her books under either name, also have a touch of violence and a few more than that. She writes romantic suspense and new adult romance under her alter ego.

She is a certified chocoholic and is currently working on several projects. Some might even involve chocolate. But writing helps maintain her sanity.

 

Sign up for her newsletter for sneak peeks and advance information on new releases as well as a few freebies to subscribers. http://bit.ly/1hA7C9W

 

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Follow the tour HERE for special content and a giveaway!


Enter the Choose Me Giveaway


Monday, April 20, 2026

Debbie De Louise Looking for Lucy Book Tour and Giveaway

 


A missing cousin, 

A Mysterious Mansion, 

Family Secrets, 

and a "ghost" cat. 


Looking For Lucy

by Debbie De Louise

Genre: Gothic Mystery, Psychological Thriller



 She was never meant to be the brave one.

Despite their different personalities, cousins Mary and Lucy are closer than sisters. Mary, a teacher in a small town, fears change and suffers from claustrophobia. Lucy, a thrill-seeker, travels around the world in search of adventure.

When Lucy goes missing, Mary, her mother, and aunt visit a Long Island mansion called Hollingham Hall where Lucy had been employed as a tour guide before she disappeared. There, Mary meets three men, one of whom may have been romantically involved with Lucy – a charming historian, a volatile artist, and a friendly landscaper.

As Mary searches for her cousin, she is drawn deeper into Hollingham’s labyrinthine gardens and shadowed corridors where she discovers a chilling connection between Lucy and a woman who vanished seventy years ago on the eve of her wedding. She also learns of the “ghost cat” rumored to prowl the property.

When strange events take place at Hollingham, the police are called to investigate. But is Lucy alive and is her disappearance connected to the missing bride or one of the men on the estate?

A mystery of illicit affairs, hidden passageways, and family secrets, Looking for Lucy is the perfect read for fans of gothic novels, psychological thrillers, and atmospheric suspense.

 

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I held my cousin’s letters from earlier this summer that I’d read over a dozen times.

We lost touch after graduation when she took off to explore the world to volunteer in a variety of countries while I stayed home and found a job as a teacher at the elementary school that we’d both attended in our small town.

The last time I saw Lucy she was wearing her Bardsley T-shirt and jean shorts. My aunt’s battered suitcase stood at her side.

“I’ll send you lots of postcards,” she promised, but I’d never received any. That’s why I was surprised when I got her first letter as school was closing for the summer.

“Dear Mary, I hope you’re well. I’ve seen many things but have missed you. While I was making a quick stop in the Hamptons, I visited a beautiful place by the sea called Hollingham Hall. It was my luck that they were looking for tour leaders. I feel like, after years of wandering, I’ve finally found my place. The reason I haven’t called is that I lost my cell phone in the Amazon River (OMG!) and am not replacing it. I’ll call you with the phone number here soon.”

Lucy never called, but there were two more letters. The next arrived  ten days later.

“Dear Cousin, This is a dream job. I wish they had another opening for you. So, here’s the thing, Mary, we once talked about my being an independent woman the rest of my life without need of a man. Well, that’s changed. In the short time I’ve been at Hollingham, I believe I’ve fallen for someone. I don’t want to say too much in case I jinx it because the attraction is new, and I’m not sure how he feels about me yet. I promise I’ll reveal everything soon, and I can’t wait for you to meet my charming suitor.”

Lucy’s final and still eager letter arrived a week later.

“Me again, Dear Cousin. I had to write right away when I discovered the most interesting thing by accident.”

“I’d ventured into a part of the mansion that’s off limits to the public. I wasn’t snooping, but I couldn’t help myself. There was a portrait in one of the closed rooms of a young woman who looked so much like me that I thought someone had secretly painted me. I was so curious I had to ask about it and risk losing this incredible job. I wasn’t admonished  for going into the room. Instead, I was told me a history of the house that I hadn’t yet heard. The woman in the painting disappeared at about our ages. They never discovered what happened to her. I felt like I was caught in one of your favorite mystery novels.”

“It won’t be long now, dear cousin. I’m going to ask if you can stay here with me at the carriage house when you visit.

After rereading her letters and trying to figure out what was really going on behind her dramatic prose, I was shocked to get a live call from Lucy around midnight, less than a week after receiving her last letter. The phone woke me up. I answered in a groggy whisper, “Hello.”

At first, there was no reply, and I was about to hang up when I heard Lucy’s whispered voice. “Mary, help me. Come quick. Please hurry.”

I was fully awake now. “Lucy, is that you? What’s wrong?”

There was a click and then a dial tone. “Lucy,” I said louder into the phone, but she was gone. I didn’t realize at that point how gone she really was.




Debbie De Louise is an award-winning author and a retired reference librarian. She is a member of Sisters-in-Crime, International Thriller Writers, the Cat Writers’ Association, and the South Carolina Writers Association. She’s written over twenty books including three cozy mystery series: the Cobble Cove Mysteries, Buttercup Bend Mysteries, and her new series, Soup the Supernatural Kitten Mysteries. She’s also written a paranormal romance, standalone mysteries, a time-travel novel, and a collection of cat poems. Her stories and poetry appear in more than a dozen anthologies. Originally from Long Island, she moved to South Carolina where she now lives with her husband, daughter, and three cats. Learn more about Debbie and her books by visiting her website at https://debbiedelouise.com.

;IGY6 by Dean Sali Book Blast

 



This post is part of a virtual book tour organized by Goddess Fish Promotions. Dean Sali will be awarding a $10 Amazon/BN gift card to a randomly drawn winner. Click on the tour banner to see the other stops on the tour.

;IGY6 is more than just a self-help guide, it is a beacon of hope for those in the military and beyond. Whether you are a soldier, a veteran, or someone who supports them, this book provides invaluable insights and practical advice that can make a real difference. Readers will find solace in the shared experiences and learn how to navigate the complexities of PTSD towards a better, more fulfilling life.


Read an Excerpt

I didn’t just hit rock bottom, I crashed into it.

Anger coiled in my chest with every step towards the gun cage. As I started to unload my service revolver, the world blurred, like I was watching a movie in slow motion, every sound muffled and distant. Time collapsed into a black tunnel.

Snap out of it, I told myself.

The next thing I knew, I had pressed the barrel under my chin, trigger at the reset. Just then, I heard someone whistling—light and unaware—behind a row of shelving. My breath froze. Instinct took over, and I eased my finger off the trigger, put the gun down. I quickly unloaded it and locked it away.

Holy fuck.

I was drenched in sweat, shaking so violently I could hardly breathe. It was the closest I’d come to using it. I stumbled into an empty office and picked up the phone. My voice was shaking, but the words were clear: “I need help. I’m having suicidal thoughts.” My union rep didn’t hesitate. He told me to call my doctor, to get therapy, to reach out if the thoughts got worse. I hung up and texted Suzanne: 911.

She called back before I could take another breath.

“Dean, are you safe?” she asked.

“No,” I whispered, voice cracking.

About the Author: Dean Sali is a resolute advocate for personal growth, resilience, and inner healing. With a background in the military and law enforcement, he has faced intense challenges that tested his strength, confidence, and sense of purpose. He served on a UN tour in Rwanda in 1994, an experience that deeply shaped his perspective on trauma, recovery, and the human spirit. His journey with PTSD has given him firsthand insight into the struggles of rebuilding from within, and he has spent years exploring methods of healing, including chi exercises, mindfulness, and reconnecting with nature.

Beyond his professional experiences, Dean is a devoted father of four, with a granddaughter on the way. His writing is deeply personal, offering practical guidance and heartfelt encouragement to those seeking clarity, confidence, and peace. Through his work, Dean hopes to inspire others to embrace their own healing journey and discover the strength they already carry inside.

Amazon: https://amazon.com/dp/0228815371
Goodreads: https://www.goodreads.com/author/show/67545013.Dean_Sali

Sunday, April 19, 2026

Book Blast House of Card by Phillippa Mann



This post is part of a virtual book tour organized by Goddess Fish Promotions. Phillippa Mann will be awarding a $10 Amazon/BN gift card to a randomly drawn winner. Click on the tour banner to see the other stops on the tour.


A raw and unflinching memoir of survival, truth, and transformation. Phillippa Mann takes readers deep into the fractured world of a girl who grew up living with a monster--a world where love and fear shared the same face, and silence became a means of survival.

Through heartbreak, chaos, and betrayal, Phillippa's voice emerges from the shadows as she begins to piece together a life that was never hers to begin with. Her journey is one of courage and reckoning, of facing the unbearable truths that shaped her, and finding strength in vulnerability.

More than a story of pain, House of Cards is a testament to the power of healing and self-forgiveness. It reminds every survivor that bringing hidden truths into the light is not the end - it's the beginning of reclaiming your story and rebuilding the foundation of who you were always meant to be.

Read an Excerpt

My parents were married in England in June 1969. They emigrated to Canada in 1970, had my brother in September 1972 and me in October 1974. Both sets of my grandparents emigrated to Canada shortly after this to be closer to us.

I was born in Northern BC. My mother separated from my dad and moved to the Lower Mainland in 1976, approximately 900 km away, with her boyfriend at the time. While I have no recollection of that period as I was quite young, I’ve come across photos of my younger self with my dad and brother, and I can see the joy on my face. In those times, I truly felt happy. I remember camping with my dad, fishing, pretending to shave with him, and the smell of the Coleman stove. It was returning home to my mother after spending time with my dad that was the toughest part. Even though I was so little, I knew that something at home wasn’t right. I always felt such intense sadness and anxiety when my dad brought us back home after summer camping, winter break, or his weekend visits. I didn’t know how to articulate what I was feeling, and I struggled to express my emotions at such a young age, but I just knew that I hated it when my dad brought me back home. This is the first recollection I have of the abuse.

Naturally, at such a young age, I didn’t see it as abuse, and it took me over two decades to realize it. My dad would drop me off at my mother’s house before returning north, and even though I knew I’d see him again in a few weeks, to a three- or four-year-old without a grasp of time, it seemed like an eternity. I would cry when he left because I loved him so much and didn’t want him to leave. After my dad left, my mother would be so unkind to me, often ignoring me for days. I do not remember a single word being spoken to me. I recognize she must have said something to me; however, I remember the silence more than anything—the absence of good nights, hugs, or any trace of warmth. It continued until I finally begged her to say something, anything. Eventually, once she got what she wanted, she’d pretend nothing had happened, slipping back into normalcy as if the hurt had never occurred.

About the Author

Phillippa Mann is a Canadian author who is passionate about helping others find healing through shared experience.

Her memoir, House of Cards: Surviving Munchausen by Proxy and a Mother's Web of Lies, explores the emotional journey of growing up in chaos and reclaiming strength through forgiveness and self-discovery.

Family is at the heart of everything Phillippa does. She and her husband share a love of creating together, and their children and grandchildren inspire her every day to live with gratitude, laughter, and purpose. When she's not writing, Phillippa can be found playing with her Corgi, Glenn, crafting handmade gifts, baking cookies and cupcakes for her family business, Sweet Lavender Designs, which she started in memory of a dear friend.

She is currently working on her next creative project, a heartwarming children's book titled Hop Hop and the Great Garden Adventure, inspired by the wonder and imagination of her grandchildren.

Website: https://phillippamannauthor.com/
Instagram: http://www.instagram.com/phillippamann.author
Amazon: https://www.amazon.com/dp/1834381525

Wednesday, April 15, 2026

Janet Morris Wind From The Abyss Book Tour and Giveaway

 


Aristocrat. Outcast. Picara. Slave. Ruler ....

She is descended from the masters of the universe.

To hold her he challenges the gods themselves. 


Wind From the Abyss

The Silistra Quartet Book 3

by Janet Morris

Genre: Dystopian Epic SciFi Fantasy Romance



Dystopia. Fantasy. Science fiction. Allegory. Political.

 

Wind from the Abyss is the third volume in Janet Morris' classic Silistra Quartet, continuing one woman's quest for self-realization in a distant tomorrow.

Aristocrat. Outcast. Picara. Slave. Ruler .... She is descended from the masters of the universe. To hold her he challenges the gods themselves.

 

Praise for Janet Morris' Silistra Quartet:

"The amazing and erotic adventures of the most beautiful courtesan in tomorrow's universe." -- Fred Pohl

"Engrossing characters in a marvelous adventure." -- Charles N. Brown, Locus Magazine.

"The best single example of prostitution used in fantasy is Janet Morris' Silistra series." -- Anne K. Kahler, The Picara: From Hera to Fantasy Heroine.

 

This Perseid Press Author's Cut Edition is revised and expanded by the author and presented in a format designed to enhance your reading experience with larger, easy-to-read print, more generous margins, and covers designed for these premium editions.

 

Wind from the Abyss starts with this . . .

 

"Since, at the beginning of this tale, I did not recollect myself nor retain even the slightest glimmer of such understanding as would have led me to an awareness of the significance of the various occurrences that transpired at the Lake of Horns, I am adding this preface, though it was no part of my initial conception, that the meaningfulness of the events described by "Khys' Estri" (as I have come to think of the shadow-self I was while the dharen held my skills and memory in abeyance) not be withheld from you as they were from me. I knew myself not: I was Estri because the girl Carth supposedly found wandering in the forest stripped of comprehension and identity chose that name. There, perhaps, lies the greatest irony of all, that I named myself anew after Estri Hadrath diet Estrazi, who in reality I had once been. And perhaps it is not irony at all, but an expression of Khys' humor, an implicit dissertation by him who structured my experiences, my very thoughts, for nearly two years, until his audacity drove him to bring together once more Sereth crill Tyris, past-Slayer, then the outlawed Ebvrasea, then arrar to the dharen himself; Chayin rendi Inekte, cahndor of Nemar, co-cahndor of the Taken Lands, chosen son of Tar-Kesa, and at that time Khys' puppet-vassal; and myself, former Well-Keepress, tiask of Nemar, and lastly becoming the chaldless outlaw who had come to judgment and endured ongoing retribution at the dharen's hands. To test his hesting, his power over owkahen, the time-coming-to-be, did Khys put us together, all three, in his Day-Keeper's city -- and from that moment onward, the Weathers of Life became fixed: siphoned into a singular future; sealed tight as a dead god in his mausoleum, whose every move brought him closer to the sum total, obliteration. So did the dharen Khys bespeak it, himself. . ."

 

“Morris, so good at giving us characters we can identify with, characters we can love and hate, strikes at the very heart of the human condition and the duality of humanity — both good and evil. Her prose is lean and spot-on, every word carefully chosen to enhance the milieu of her imaginary world and advance the plot, giving us access to the thoughts, emotions and machinations of the people whose stories she is presenting to us. Once again, she gives us a “thinking man’s” science fiction/fantasy that explores the nature of power and sexuality, and how they can be used, misused and abused. This is a brilliant, mature and very adult novel that will not only leave you thinking about your own place in the universe, but questioning the very nature of existence.” – Goodreads reviewer

 

Amazon * Bookbub * Goodreads





I.In Mourning for the Unrecollected

 

The hulion hovered, wings aflap, at the win­dow, butting its black wedge of a head against the pane. Its yellow eyes glowed cruelly, slit-pupiled. Its white fangs, gleam­ing, were each as long as my forearm.
I screamed.
Its tufted ears, flat against its head, twitched. Again and again, toothed mouth open wide, it battered at the window, roaring.
Once more I screamed and ran stumbling to the far wall of my prison. I pounded upon the locked doors with my fists, pressing myself against the wood. Sobbing, I turned to face it.
The beast’s ears flickered at the sound. Those jaws, which could have snapped me in half, closed. It cocked its head.
I trembled, caught in its gaze. I could retreat no farther. I sank to my knees, moaning, against the door frame.
The beast gave one final snort. Those wings, with a spread thrice the length of a tall man, flapped decisively, and it was gone.
When the hulion was no more than a speck in the greening sky, I rose clumsily, shaking, to collect the papers I had strewn across the mat in my terror. They were the arrar Carth’s papers, those he had forgotten in his haste to answer his returning master’s summons.
I knelt upon my hands and knees on the silvery pile, that I might gather the pages and replace them in the tas-sueded folder before Carth returned.
Foolish, I thought to myself, that I had so feared the hulion. It could not have gotten in. I could not get out: It could not get in. Once I had thrown a chair at that impervious clarity. The chair had splintered. With one stout thala leg, as thick as my arm, had I battered upon that window. All I had accomplished was the transformation of chair into kindling. The hulion, I chided myself, could have fared no better.
Hulions, upon occasion, have been known to eat man-flesh. Hulions, furred and winged, fanged and clawed, are the servants of the dharen who rules Silistra. I had had no need to fear. Yet, I thought as I gathered the arrar Carth’s scattered papers, hulions are fearsome. Perhaps if I had been able, as others are, to hear its mind’s intent, I would have felt differently. My fingers, numb and trembling, fumbled for the delicate sheets.
One in particular caught my eye. It was in Carth’s precise hand and headed: “Preassessment Monitoring of the Arrar Sereth. Enar Fourth Second, 25,697.”
I had met, once, the arrar Sereth. Upon my birthday, Macara fourth seventh, in the year ’696 had I met him, that night my child had been conceived. I had read of his exploits. He frightened me, killer of killers, enforcer for the dharen, he who wore the arrar: chald of the messenger. Sereth, scarred and lean and taut like some carnivore, who had loved the Keepress Estri, my namesake, and with her brought great change to Silistra in the pass Amarsa, 25,695 — yes, I had met him.
I sat myself down cross-legged on the Galeshir carpet, papers still strewn about, forgotten, and began to read:
The time is approximately three enths after sun’s rising, the weather clouded and cool, our position just south of the juncture of the Karir and Thoss rivers. I highly recommend that you look in upon the moment.
The arrar Sereth, on the brindle hulion Leir, touched his gol-knife. It was the first unnecessary movement he had made in over an enth. My presence, alongside upon a black hulion, disquieted him. The brindle, gliding at the apex of its bound, snorted. He touched its shoulder, and the beast, obedient, angled its wings and began its descent.
When its feet touched the grass, he set it at a grounded lope. 1 followed suit, bringing my black up to pace him.
Sereth regarded me obliquely. I, as he, served the dharen, he thought, and touched his hulion to a stop.
We had been riding all the night, up from Galesh, where I had met him with the two beasts. He had served the dharen, most lately, in Dritira. And before that, in the hide diet, and before that upon the star world M’ksakka had he dealt death and retribution at Khys’ whim. And dealt them successfully, though those tasks had been fraught with deadlier risk than a man might be expected to survive. His thought was wry, recollecting.
“How did you find M’ksakka?” I asked, to key him, to bring something else above the impenetrable shield he has constructed. My hulion rumbled at the brindle he rode, and that one answered.
“I will make a full report to Khys,” he said, slipping off the hulion’s back. “Let us rest them.”
I joined him where he lay upon the grass, staring at the sky.
“I missed this land,” he said. “The sky there is dark and ominous, always cloudy. M’ksakkan air stings eyes and lungs. Everything is covered with a fine black dust. I would not go again off the planet.”
“Perhaps he will not send you,” I conjectured.
He saw M’ksakka, and that seeing was colored by his distaste, both for the world and the work he had done there. The methods he had employed displeased his sense of fitness. The value of the M’ksakkan’s death was to him obscure. I saw the moment: the adjuster’s surprised eyes, wide and staring as Sereth’s fingers closed on his throat, around his windpipe,·the M’ksakkan’s clawing hand upon his wrist as he ripped out the man’s larynx, vocal folds dangling; then the blood, spurting, and the sound of the adjuster’s choking death. And I saw others he had killed, those who were anxious to try their skills against a real live Silistran. He had been hesitant to do so, but more hesitant to face an endless line of their ilk, so he had killed the first three. Again, his thoughts sank below readable level. The hulions lay quiet, lashing their tails. The clouds scudded heavy over the sun. A soft, drizzling rain commenced.
“The dharen is pleased with you,” I said.
He sat up, his mind absolutely inviolate. “What do you want, Carth?” He stared down at me. I lay perfectly still. He made no attempt to read me for his answer. He merely waited.
“A first impression. You are coming up for assessment.” I rose up. “We want to get some sense of you. Your mental health is now our concern.” He ducked his head, ripping grass from the sward. “You brought child upon that well woman in Dritira,” I prodded.
He saw her. In many ways she had reminded him of the Keepress. It had been passes since he had taken a woman. On M’ksakka there were females, but nothing he understood to be a woman. He had not couched many of them. And in hide diet, there were only forereaders. In Dritira, with that woman who reminded him of the Keepress, he had spent his long-pent seed. Four times he had used her, before she was more than a receptacle in his sight. And he had abused her, more than was his custom.
“Get me the forms. I will collect my birth-price,” he answered. He did not want the woman.
“You should take her. We have been considering her. She might yet make a forereader.”
“Then it is a pity she caught. From inferior blood can come only inferior stock.”
“Khys has asked me,” I told him, “to bid you welcome to any of the forereaders we hold in common at the Lake. Spawn from such a union surely would be possessed of talent. The bitterness you hold is out of proportion to the reality. We all, at one time or another, find there is something we want that we may not have.”
He did not answer me, but rose and went to his hulion. He thought of the Keepress Estri as one thinks of the dead, with acceptance; and then thought of his own life, and what compromises he has made to keep it. What he let me know, I have no doubt, will please you. What he did not — that is what concerns me. He allowed me nothing else for the duration of our return.
His shield, as you will find, is set lower and much farther into his deeper conscious than any I have encountered. Most of his processing must take place behind it. Deep-reading him is out of the question. He visualizes barely enough to verbalize his will. That he is functioning superbly is attested by his works. That he feels it to his advantage to serve us at present is a certainty. I worry over what might occur should he choose, eventually, not to serve us.
My formal recommendation is for a complete and detailed assessment. Also, I feel some attempt might be made to pacify him, in light of what he is fast becoming. Or perhaps even to eliminate him, lest he become, like Se’keroth, the weapon turned upon the wielder.
And it was signed Carth.
“Carth!” I gasped, as a dark hand snatched the sheet from my grasp. Still upon my knees, I twisted to see him. His dark eyes gleamed. He ran his hand through his black curls.
“Did you find this informative, Estri?” he asked, towering over me, the paper crumpled in his fist. Carth was furious.
I dared not answer. I started to my feet.
“Pick these up!” he commanded, pointing.
I scurried to obey him, scrambling for the leaves strewn upon the web-work carpet, my stomach a knot. Once before, I had seen Carth this agitated, when I had written for him a certain paper. And he had called it audacious, and destroyed it. I finished, and rose to my full height, handing the tas envelope to him. My head came to his shoulder. He looked down at me, stern-faced.
“You were ill-advised to do this,” he said. “The dharen is not pleased with you. This” — he threw the crumpled sheet across the room — “will only aggravate matters. You had best make some effort to placate him.”
“What do you mean?” I demanded. “Has he taken some sudden interest in me?” I had seen the dharen precisely three times since I had come to reside at the Lake of Horns: the night he had gotten me with child, the day following, and once while I lay near death when the unborn had driven me to seek it. He had not been at the Lake of Horns when I bore his he-beast into the world. I had cried out for him during that premature and extended labor. He had been unavailable. Now, nearly eight passes later, he had returned.
“Do not be insolent!” Carth’s voice rasped as his palm cuffed my face to one side. Tears in my eyes, I put my hand to my cheek. It was what I had thought, not what I had said, that had brought me chastisement. Shaking my head, I backed away from him. Though I had known Carth a telepath, a surface-reader, rarest of Silistran talents, never had he shown his skills before me, one who neither spoke nor heard the tongues of mind.
“Estri, come here.”
I went to him, my hand trailing from my cheek to the warm, pulsing band locked about my throat.
When I stood before him, he lifted my face, his hand under my chin, so I must look into his eyes.
“He is very angry, child. You must realize that what you think is as audible to him as what you say. I know it was not malicious, that you read what you found. Forget it, if you can. Concentrate on what lies before you.” He patted my back, all the anger gone out of him.
“I do not want to see him,” I said, toying with the ends of my copper hair, grown now well below mid thigh.
Carth pursed his lips. “You have no choice. He will see you in a third-enth. Make ready.” And he turned and strode through the double doors that adjoined my prison to Khys’ quarters. Khys, my couch-mate, was again in residence. The dharen of all Silistra, back from none knew where, would again rule from the Lake of Horns.
Make ready, indeed, I thought, combing my hair. I had only the white, sleeveless s’kim I wore; thigh-length, of simple web-cloth. My jewelry was the band of restraint at my throat. I retied the garment upon my hips. Throwing my hair back, I regarded myself in my prison’s mirrored wall. My body, copper-skinned, lithe, only shades lighter than my thick mane, postured at me, arrogant. I had thought, for a time, that the he-beast had destroyed it, but such had not been the case. Exercise had given its grace and firmness back to me. My legs are very long, my waist tiny, hips slim. Pregnancy had altered me little. My breasts were still high and firm, my belly flat and tight. Good enough for him, surely. I widened my eyes suggestively, then stuck my tongue out at her. She made a face back. I grinned and wondered why I had done so, turning from the wall that ever showed me the boundaries of my world.





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Best selling author Janet Morris began writing in 1976 and published more than 30 novels, many co-authored with her husband Chris Morris or others. She contributed short fiction to the shared universe fantasy series Thieves World, in which she created the Sacred Band of Stepsons, a mythical unit of ancient fighters modeled on the Sacred Band of Thebes. She created, orchestrated, and edited the Bangsian fantasy series Heroes in Hell, writing stories for the series as well as co-writing the related novel, The Little Helliad, with Chris Morris. She wrote the bestselling Silistra Quartet in the 1970s, including High Couch of Silistra, The Golden Sword, Wind from the Abyss, and The Carnelian Throne. This quartet had more than four million copies in Bantam print alone, and was translated into German, French, Italian, Russian and other languages. In the 1980s, Baen Books released a second edition of this landmark series. The third edition is the Author's Cut edition, newly revised by the author for Perseid Press. Most of her fiction work has been in the fantasy and science fiction genres, although she has also written historical and other novels. Morris has written, contributed to, or edited several book-length works of non-fiction, as well as papers and articles on nonlethal weapons, developmental military technology and other defense and national security topics.

Janet said: 'People often ask what book to read first. I recommend "I, the Sun" if you like ancient history; "The Sacred Band," a novel, if you like heroic fantasy; "Lawyers in Hell" if you like historical fantasy set in hell; "Outpassage" if you like hard science fiction; "High Couch of Silistra" if you like far-future dystopian or philosophical novels. I am most enthusiastic about the definitive Perseid Press Author's Cut editions, which I revised and expanded.'

 

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Tuesday, April 14, 2026

Genevieve Morrissey Thea Audiobook Tour and Giveaway

 


Poverty, prejudice, her mother’s addiction…in her quest for an education, 15-year-old Thea tries to navigate them all. But will a secret ultimately undermine her efforts?


Thea

by Genevieve Morrissey

narrated by Nicole Fikes

Genre: YA Historical Fiction, Coming of Age


2025 Page Turner Book Award winner for Best Historical Fiction & Character Architect Award

 

Oklahoma City, 1925

Fifteen-year-old Thea Carter lives in a small garage apartment—Thea’s seventh “home” in four years—provided by her alcoholic mother’s employer, the morose and enigmatic Dr. Hallam.

School is Thea’s refuge and she’s an excellent student, but the parasitic Mrs. Carter’s instability continually threatens her dream of getting a high school diploma. In an effort to keep her mother employed and the two of them housed, Thea secretly takes on much of her mother’s work while at the same time navigating adolescence, friendships, and first love.

Dr. Hallam, impressed by her drive and intelligence, becomes Thea’s unexpected ally, but in addition to wealth and position, the doctor also has a secret that could ruin him, and shatter his bond with Thea.

 

"Morrissey crafts a wise and moving coming-of-age historical novel with resonant contemporary themes, meticulous period detail, and flawed but sympathetic characters who will win readers’ hearts… Lovers of historical fiction and coming-of-age stories will relish time spent with Thea." —BookLife 'Editor's Pick' review

"Thea is a coming-of-age tale with a lot of heart and charm… Morrissey's characters truly leap off the pages." —Readers' Favorite review


"The story is one of friendship and found family, with a heartwarming conclusion… THEA is a moving historical coming-of-age novel whose characters' compassion and empathy inspires.” —IndieReader review

 

**Now available as an audiobook!**

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Thea is the new historical novel by Genevieve Morrissey, author of the award-winning Marriage & Hanging and the popular Antlands science fiction series. She is an avid student of British and American social history who, through one of those strange little quirks of fate, spends most of her days talking with scientists. In addition to writing, Genevieve enjoys reading obscure books, travel, and solitude.

 

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